the meeting between tyrrhenians obtane and romes giorgio gigli creates two deep and dark techno where cinematic elements meet industrial structures in a dry and powerful form. transmission is up building and tight, the dark patterns reach obsession. reception takes a wider signal from a mysterious laboratory somewhere in the mountains.

>delusions of grandeur< by pilocka krach is a 12 inch beyond good and evil. right from the first dry and crisp beat you are kicked to another dimension. irony and punk reign supreme, far away from the usual stuff that moves the dance floor. those witnessed pilocka live know what to expect: raw thumping beats, esprit, bizarre funkiness and a powerful, unique one woman performance. on stage or on record - she gets straight down to it!

nys underground celebrity, electronic obscurity and rare disco specialist william burnett (aka grackle, aka speculator) delivers an ep that truly defies any categorization and therefore will have a harder time to find its way into the stores usually packed with easily digestible pre-masticated dancefloor stew that comes with filing recommandations. the music on this record evokes images of mad peyote sessions held amidst dry and sandy landscapes. the original desert acid sounds like a jam machines and instruments would do when left on their own, unsupervised by humans. a wobbly and acidey synthline goes on a psychedelic journey with fuzzy guitar riffs, backed by a stompy almost tribal discobeat. düsseldorfs currently most interesting band musiccargo rework the piece into a cinematic krautdisco gem that floats on a loopy vibraphone drone, sprinkled with german and english lyrics. sombrero galaxy (aka cbs/intergalactic fm regular dj tako reyenga and his mysterious uk buddy jonny nash) take the track into cosmic realms (rare occasion where the term really fits) and their version could easily be interpreted as a vangelis tribute. the last track on the ep we are it is a slow 808 jam with druggy and spaced out fuzzy vocals, paired with equally druggy and fuzzy guitars. if you are a filmmaker and you need a song for a weird desert scene youd be an idiot not to consider this one the perfect choice.

a stunning floor smasher. dry pounding bassline, clicking retro effects , sampled snares , present airy sound. mono on mono more reduced . chorgs on b offers some pitched chord so beautiful it will be a sure alltime jt classic. 2 tracks of the highest calibre

>delusions of grandeur< by pilocka krach is a 12 inch beyond good and evil. right from the first dry and crisp beat you are kicked to another dimension. irony and punk reign supreme, far away from the usual stuff that moves the dance floor. those witnessed pilocka live know what to expect: raw thumping beats, esprit, bizarre funkiness and a powerful, unique one woman performance. on stage or on record - she gets straight down to it!

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

the mind melt keeps melting. pretty soon we will just be puddles of freaky essential oils, reduced down to our effervescent essence, like jasmine, or dry kool-aid. of course we are talking about onur Ízers album kasmir, the gift that keeps on giving. once again renowned artists have come out in full force reworking selected tracks off onurs album for vakants remix-only vr. first up is mr. rajko m³ller, better known as isolÚe, who having spent some time growing up in algeria, continues with the african remixer theme (tunisian born loco dice remixed eclipse on part 1. you know us, as if we even need an excuse to work in africa somehow.) isolÚe takes onurs otherwise chilling innervoice and reinterprets it into a thick warm blanket of reassuring bounce. flipping the record inverts dimensions of time and space. abyssfully deep legend baby ford takes the already ethereal aida and turns it into the soundtrack for finding the god particle. its scary, yes, but ultimately it could explain everything.

ein track, der den bevorstehenden sommer ein ganzes stück näher bringt. toll

its played by richie hawtin, monika kruse, someone else, brothers vibe, anthony collins! with boogie nights he presents a strong track with a heavy bassline, filled with lots of percussions and a nice delayed vocal sample. first part of senkel comes with deep subs and is more dry until the break. beware of the nice clap, that excels impressive in every drumfree second! excellent work! patrick reiths remix of boogie nights is a rollin, massive submonster. he used only a few cutted vocalsnippets from the original track for his breaks. perfect for the prime time

spaced out 80s/disco/new wave inspired tracks!!

switzerland finest producers crowdpleaser & gregorythme (1 half of digitaline) team up for a bunch of raw & dirty tech house tracks. >gygamore< opens on a dry funky beat and goes totally mad with processed ethno voices & space out pads. a sure player for the late hours ! bobbie dallas remix will satisfy house lovers: warm keys, sweet vocals & deep laidback groove. on the flip side >le ble du pays< is serious big room weapon full of percussions & a groundbreaking synth. lets go the windy city with >4 hands<, an insane tribute to the early chicago years. sonic bleeps, outstanding detuned toms & a jackin groove ...., special rerelease

when robots start to feel and dubby disco music is taking place, when h. r. giger meets g. moroder, it s time to present heib s attempt of >i feel love< to you. dry and smooth, passionate, warm and deep. >sound conspiracy< on the b-side starts as a simple acid track, but grows and rises to become everything else than minimal. bleeps, pads and effects pass the ether to hit your body system. forcing. 2 pieces of music without half-life. make your choice !

played by dj koze , mathias kaden, laurent garnier... philpot records proudly welcomes reggie dokes on board. the owner of awesome psychostasia recordings in detroit and well known producer for the detroit beatdown posse as well as theo parrishs sound signature drops with the >rain redemptive love< ep his first release on our label. >love< got this amazing typical reggie-groove: rollin percussions meet melodic sequences, forward-pushing beats go hand in hand with charming piano chords and lovely strings partsàvery psychedelic! the second title >rain on me< is a deep mover par excellence, an arrangement between very dry and percussive beats and twisted arpeggioà. italo without the cheese! finally >black children of the ghetto< (taken from the album >my electronic mind< as a vinyl exclusive) rounds up this 12inch, slowing down the tempo and totally trippin out on its repetition. thanks for purchasing a real copy!

the teknoist is without a doubt one of the most influential artists to appear on the scene in a long time. his eclectic mix of d&b / hardcore & breakcore is unmatched. alongside scheme boy he serves up 2 superb tracks!

repress: debut solo album from karin dreijer andersson (singer of the knife).

after the two releases african salsa and parte dos mancha recordings comes up with the third release love and pain. on the a side rik elmonts tracks tint and somewhat like love come along very rough and playful. dry sounding, interlaced house structures allocate both tracks. the tracks on the b side are a bit more dubby. marsmellows and zero in something are releasing their first tracks on mancha recordings.

an eclectic 5 tracker from the los angeles based label mashup soundsystem. this time they bring some uk artists in to the fold. helicopterface & element abuse have put together some awesome tracks to go alongside brazillian artist retrigger and co-owner of the label concrete cookie & friends.

krazy bladhead remixed the noisy duo ddamage, the funky duo outlines and met the brooklyn rapper tes, signed on lex/warp. tes featuring on >crazy moth3f2ck8z<, extract of krazy bladhead?s second ep >dry guillotine<, comfirmed ed banger?s hip hop turning point. just like sebastian, justice or dj mehdi, krazy baldhead became one of the mainstays of the label. he obviously was part of the >ed rec vol. ii< adventure, with his freezing >strings of death<, and we saw him again on the last compilation of the label, >ed rec vol. iii< with the spaced out >no cow, no pow<.

bosconi is back with his third release featuring the naughty quitèfrut guys, label boss fabio della torre and his parisian-berliner mate mattako. the orginal tracks are the spontaneous results of two afterhourmakingmusic studio sessions and what came out are two proper minimal kickass bass throbbers, dry but fat dj-tool house that take inspiration from daniel bell, baby ford, zip and mike ink works. the production is concentrated on the use of analogue instruments that give the tracks a deep and warm feeling with an oldskool vibe. ?absoluca? is a trippy and hypnotic blend of tight and intricate grooves enriched by subliminal cinematic samples, tropical atmospheres and sinister male voices. special guest on bosconi this time are robsoul boss phil weeks and didier allyne under their p&d guise who drop out a very effective dance mania style remix of absoluca, a dancefloor smasher tool that goes straight to the point, strongs 909 kicks and aggressive hi hats those take you back to the chicago warehouse party time, and we think ron hardy wont have disappointed this at all !! last track called at some point? is a deep driving techno track that open your senses, the groove is detroity and the sounds of synths draw into your brain and don?t let go. open your mind to the sounds of nature!!

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

all these tracks are made for the floor, in other words, made purely fordancing. rather dry compressed but driving beats combined with sweatygrooves work like a charm and the whole mixture goes fluidly anddeliciously down like the very best vintage barolo harvested at the peaktime and offering altogether more testosterone than those blue littlepills. everlasting love! another quality production brought to you bysenator recordings.

re-release! famous german dj and producer - who is responsible for mass hysteria wherever he plays - with a cheeky cut-up edit of a track by the most hyped new hip-hop artist driven by a hypnotic accoustic guitar loop, freeked with p-funkish vocoder vocals and backed by a dry bassdrum. on the b-sides he flips a vocal by a eccentric lo-fi soul artist - who sang the hook of the biggest hit by the world’s best hip-hop band - and mashes it up with a nasty distroted bassline and straigt up electro beats. madness

kenneth james gibson is a man of many different personas. the list of his releases over the past years is way too much for this infosheet, so lets skip this part for now. under the moniker of apendics.shuffle hes visiting mos ferry prod. for the third time. >you got my harmony< is not only a title for this e.p. you can take this phrase literally. his sound fits the label like few others. along with his two extremely grooving tracks >finding harmony< and >you got my< the package also contains two remixes by tim xavier and olene kadar. they definitely share our faible for >frickelsound<. tim turnes the original track in a dry, more driven techno version. olene - with young ambition and restlessness - starts quiet relaxed, but carries his arrangement of the given samples to the extreme, again

the berlin based dj and highgrade-artist jens bond presents with his new ep >hypochonder< his latest work. bond is allready known for his percussive tracks beside that the resident dj of berlins watergate club is well established thanks to his collaborations with benno blome (sender records) and guido schneider (pokerflat). in the namegiving titeltrack for this new ep for highgrade jens bond gives it all: stakkatos of rolling percussions meet pearling synth-lines, creating a jacking, neverending groove. >got some…< develops this recipe for success more into a slightly darker direction, while keeping up beeing changefull with the same >hands-up<-factor. instead of a break mr. bond serves us with >paulista grill< the next highlight of this ep. massive, with a touch of darkness, build on a strong fundament of a funky, dry-asa-bone groove. three tracks, simultaneously eventfull and homogeneous, carrying clearly jens bonds signature.

classic stones-album, digital remastered!

after the first aspekt of marcio kantana at large and positive response follows now is the disengagement of the new labels. the guys from digital report deliver with the strange ep an amazing starting debut. the tracks are rich variety in the style produced from 1001 nights and include oriental elements, bright beats and deep sounds. this record is hardly a plate suitcase missing. just as the track sahara says he is dry and will be produced each party guest to bring sweat. this much is certain. the b-side bakara is rather for 8uhr morning, to relax, celebrate with you but will not stand still. on the record are remixes of marcio kantana and dan reed

ah, its time for some eerie minimal techno again. dry, percussive, hypnotic, trippy. when sunday turns into monday and the week starts exactly like the last one ended – on the dancefloor, propelled by a thumping bassdrum. dima is a bar 25 regular and has released on beatsreet (another berlin institution of endless afterhour journeys) before. this one is his bar 25 debut, tried and tested on various occasions and legendary sasomo moments. his four tracks dive deep into a nocturnal techno habitat, where percussion- sounds fade away in the twilight and the groove just won’t stop. there is no way out, just give in to its pleasures

played by dj koze , mathias kaden, laurent garnier... philpot records proudly welcomes reggie dokes on board. the owner of awesome psychostasia recordings in detroit and well known producer for the detroit beatdown posse as well as theo parrishs sound signature drops with the >rain redemptive love< ep his first release on our label. >love< got this amazing typical reggie-groove: rollin percussions meet melodic sequences, forward-pushing beats go hand in hand with charming piano chords and lovely strings parts…very psychedelic! the second title >rain on me< is a deep mover par excellence, an arrangement between very dry and percussive beats and twisted arpeggio…. italo without the cheese! finally >black children of the ghetto< (taken from the album >my electronic mind< as a vinyl exclusive) rounds up this 12inch, slowing down the tempo and totally trippin out on its repetition. thanks for purchasing a real copy!

great 4 remixes of the rumba ep. strong deep minimal by monoroom (killa beat rec, session deluxe, livelarge rec), dry superb remix by aldo cadiz (force tracks, rhythmetic rec), cool house mix from miami by florida orange boy and a stunning tech tune with the catchy hook of pecatore by mike koefer

streng limitiertes re issue des albums von 1978 auf vinyl. kommt im original artwork und mit einem bonus track.

tom ellis, the king of bouncey bounce house music (released on labels like floppy funk, minibar or musique risquee), with his first ep on cologne s hartchef discos imprint. from extra dry funk to chicago house, from jazz samples to techno

>shared time< by rolf imhof is a fine, minimal driven, crisp tune dancing on a cool dry beat base. with the petite but magnificent hook-line the song will easily casts the spell over the club crowds. tobi lützenkirchen s (platform b, stil for talent) remix puts the lid on this must vinyl

dave tarrida from 1999 back in stock

5 grammy award winnig amy winehouses mega selling back to black album, produced by mark ronson & salaam remi.

2001 classic release by mr minimise donacha costello!!

with already massive support from jocks like technasia, valetino kanzyani, mauro picotto, james kameran and many more chris liebing is starting a new label called spinclub recordings. the first release is by spinclub resident dj emerson, already known for his releases on kiddaz fm and microfon. on this first ep on scr, dj emerson features his familiar dry techno. to the efficiently and solidly working cut the crap on the a-side, he opposes with the spectacular mr. nice on the b-side. mr nice starts off in a restrained way. in the break you could almost think it would lose itself in an ocean of delay, if, yeah if not suddenly this striking bassline would emerge. it starts rolling, turning the track around 180 degrees, transforming it into a rampaging peaktime monster. for the one who wants to put an exclamation mark in his set, voila

customer services embraces a variety of styles. the title track is pure chunky tech funk, kindling provides us with some dry melodic crispy microhouse. pheek throws in a beautiful extra phat techy remix of custoner services and finally mining for opal explores leifs deep dubby style, in a similar vein to his previous outgoings on textone and archipel

comes on cool green vinyl! for lovers of richie hawtin, ricardo villalobos, loco dice... the next in the hifreaks limited series comes by larsson.. smart & quirky minimal mover with a slowly developing beat. dry snares on the middle of the road + heavy sfx use . b is more in a ancient spooky & mysterious (kind of maya dance), laid back hypnotising and for sure a dancefloor dictator…. funky minimal house as you want it.

killer modern house from depths of deep space. adam marshalls original mix takes swinging chicago drums and paints them a dark black, while chord stabs morph and evolve in a tough, organic style on this 11-minute journey. mike shannons impressive re-working tightens everything up and funks the hell out of the groove with sizzling dry hats, sub-bass ruminations, and one serious breakdown. one of his best remixes yet by far. both are serious club killers

>ruffterhours< is a brilliant techno club tune which is not supposed to leave any dry shirt among the party crowd. the original mix consists of a slamming and driving beat coming along with a catchy melody that keeps even deaf awake. there comes the break which blows your membrane away and forces the assemblage to lift their arms and caress the roof! the roof is indeed on fire! sikk s sex in the city remix delights the audience with a distinguished gallant piece of minimal art. since their massive international tune >my washing machine< the world approves the haute-couture that stands behind the four initials. tekhouse seems to come back to the dance floor in a rush and so does pazkal s deftbonz remix as well. get ready for the neo disco bonanza!

5 grammy award winnig amy winehouses mega selling back to black album! produced by mark ronson & salaam remi.

dj support by : 2000 and one, karotte, james flavour, tobi neumann.... after already four strong 12inches on audiomatique we proudly welcome back robert babicz with his fifth audiomatique release: >dark flower< is a shiny groover accompanied y a beautiful remix from rotterdam based techno-veteran joris voorn. the a-side features two new tracks by robert, >dark flower< & >spiralboogie<. >dark flower< showcases roberts typical handwriting: a dry, but funky groove construct with melancolic and deep synths while some highly seductive bass slaps create this very special babicz feeling. >spiralboogie< spreads its magic on a2. slowly building, having the funk in the trunk and fully focussed on simple, but reliable qualities. forward ever, backwards never. the flipside holds our chefs suggestion: an extraordinary joris voorn remix of >dark flower< which already stirred a huge buzz when steve bug tested it on his recent japan-tour or robert played it out in brasil last month. joris voorns mix perfectly combines floating harmonies with a thrilling drive. simply irresistible

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

electro remixes for this danish indielectrock band. dune have been around since 2001 and they have played more than two hundred shows to date in denmark and abroad. the young band stands for synthie influenced high energy rock with crisp guitars and fantastic hooks. their much praised debut album >we are in there, you are out here< was released in october 2007

prepare for some bonus beats from john spring, following his last year’s fabulously striking >ready to broadcast< (sus_66). from the start >skychef< is bleeping and clonking along with a bold carelessness, until the sprouting bass growth spreads a still dry, but irresistible drive, whose modulated bursts are there to cause joyfully puzzled faces on the dancefloor - john spring in grand condition! the remix of veteran whizz-kid dan curtin adds a full ladle of truthful techno on top. the bustling american celebrates the foundations of the genre with the aid of classic hypnosis and a solidly rolling bass footing, and proves to be the perfect add-on to the lightfooted original.

+ big piemont rmx, the world famous confused label says hello to a new artist: richard belsom. his debut track on oliver huntemanns cult imprint is called banshee and literally rocking as hell. plain and dry techno beats with super cool cymbal toppings un

extra dry and chunky minimal trax !! plays by someone else and savoretti

maverick music icon miss kittin is set to release her second album, batbox in february 2008. two years in the making, and almost four years since the highly regarded i com, batbox comprises thirteen original songs, all composed whilst touring extensively throughout the world. the album further highlights kittins position as a powerful personality within the contemporary music industry. a true individual with the substance to support the uncompromising attitude she is recognised for, batbox is bursting with signature style kittin observations on modern life.

dj support : matthias kaden, jimpster, italoboyz, karotte, tom clark & amongst others !! a 4 tracker this time called >nautical dawn<, theodors square basses are groovy as hell and as usual the swing notch is turned all the way to 16.e j!!! pieces of short and abstract vocal samples appear here and there and some fantastic jazzy sounding melodies played by old instruments like this pseudo vibraphone-guitar on the strong first track called jazzphysics or this 70s wha-pedal arabic strings on nautical dawn. theodor expands his horizon by developing a new genre that we could name something like >smart minimal melodic dry ass funk<?!? so if you like bouncing beats and want to experience serious booty shaking while you play that piece, then this record is >sans aucun doute<